巫鸿教授中国艺术史研究公开讲座系列
巫鸿教授是当今世界最重要聊城莘县王奉宋庄小学网站的中国艺术史学家之一聊城莘县王奉宋庄小学网站，聊城莘县王奉宋庄小学网站他多年来的教学与丰富的著述获得聊城莘县王奉宋庄小学网站了诸多奖项。在四十年的研究生涯中，他一直致力于通过审视、挑战和重新定义西方艺术史中的概念来开发解读和撰写中国艺术的新方法。他以创新的跨学科方法探索艺术话语与实践之间的关系，从特定时间和地点的文化、社会政治和艺术语境中汲取素材。巫先生以中西传统的历史实践为基础，将各自独立的领域整合为新型的艺术史叙事并倡导一种新的全球艺术史。本次香港线下系列讲座中的前三场将从广泛的主题中展示他的研究方法与叙事。
关于主讲人
巫鸿教授毕业于中央美术学院、哈佛大学，曾在故宫博物院、哈佛大学艺术史系任职。1994年至今任芝加哥大学艺术史系暨东亚语言文明系斯德本特殊贡献讲座教授，兼任芝加哥大学东亚艺术研究中心主任、斯玛特美术馆顾问策展人，美国文理学院院士、美国哲学院院士。
巫鸿教授的研究兴趣涵盖中国的传统和当代艺术，并且他在这两个领域内已发表了许多书籍著作、策划了诸多展览。他跨学科的兴趣引导着他尝试着用不同方式来讲述中国艺术的故事，这一点在他的诸多著作中都有所体现，例如《中国古代美术和建筑中的“ 纪念碑性”》(Monumentality in Early Chinese Art and Architecture, 1995)，《重屏：中国绘画中的媒材与再现》(The Double Screen: Medium and Representation of Chinese Pictorial Art, 1996)，《重塑北京：天安门，一个政治空间的创建》(Remaking Beijing: Tiananmen Square: the Creation of a Political Space, 2005)，《黄泉下的美术：宏观中国古代墓葬》(The Art of the Yellow Springs: Understanding Chinese Tombs, 2010)，《废墟的故事：中国美术与视觉文化中的“在场”与“缺席”》(A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture, 2012)，《聚焦：摄影在中国》(Zooming In: Histories of Photography in China, 2016)，《“空间”的美术史》(Space in Art History, 2018)。他在2022和2023年最新的三部著作是由普林斯顿大学出版社出版的《中国艺术与朝代》(Chinese Art and Dynastic time)，由华盛顿大学出版社出版的《空间的敦煌：体验莫高窟》(Spatial Dunhuang: Experiencing the Mogao Caves)，和由瑞科图书出版的《穿衣镜：一部全球视觉史》(The Full Length Mirror: A Global Visual History)。
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时间：2023年10月6—10日
语言：英语
WHEN：6 October 2023 to 10 October 2023
LANGUAGE: English
讲座 Program
Lecture 1
空间敦煌
Spatial Dunhuang: Experiencing the Mogao Caves
Time
6 October 2023 6:00pm – 7:30pm
Location
KB419, Knowles Building, The University of Hong Kong
Abstract
This lecture retells the story of Dunhuang art through the perspective of space. This is necessary because although there are countless overviews of the art of Dunhuang, the framework is generally temporal. Guided by the dynasties of China’s past, these overviews present a linear history of the Mogao Caves, supplanting the actual place with an abstract temporal sequence. This lecture presents an alternative narrative based on visitors’ experience and discusses some representative caves to demonstrate a new methodology in studying Dunhuang art Mogao.
Lecture 2
是一是二？乾隆皇帝的玻璃镜和镜像
One or Two? Emperor Qianlong’s Mirrors and Mirror Images
Time
8 October 2023 3:00pm – 4:30pm
Location
The Hong Kong Jockey Club Auditorium, Hong Kong Palace Museum
Abstract
Throughout his long sixty-year reign (1736–1795), the Qianlong Emperor was fascinated by newly invented objects and art styles from Europe. In this lecture, Professor Wu Hung explores the interconnections between "object", "painting", and the trompe l'oeil style that the emperor was so fond of. Two important palaces in the Forbidden City, the Hall of Three Rarities (Sanxi Tang) and the Lodge of Retirement (Juanqin Zhai), are taken as examples for this examination.Lecture 3: The Inscribed Studio Photo as “I-Portrait”: Photographing a New Self in Early Twentieth-Century China.
Lecture 3
The Inscribed Studio Photo as “I-Portrait”: Photographing a New Self in Early Twentieth-Century China
Time
10 October 2023 4:30pm – 6:00pm
Location
Citi Lecture Theater (LT-A), The Hong Kong University of Science and Technology
Abstract
Portraiture and self-portraiture are two standard genres in visual art, including photography. A self-portrait is a likeness whose subject is the artist him/herself; a portrait is a representation of a person made by someone else. This lecture investigates some photographs which disrupt this seemingly self-evident classification of images. These examples belong to a group of studio portraits that bear the sitters’ inions. The speaker suggests that when an inion is imbued with a distinct “I” voice and expresses the sitter’s personal experience and aspiration, it transforms the anonymous portrait into an I-portrait. The main part of the talk discusses several images related to the “queue-cutting” movement in early twentieth-century China, before and after the Republican Revolution in 1911 that ended the country’s dynastic history. The final section contemplates how photography’s media specificity contributes to such transformation.
Research Seminar
Time
9 October 2023 2:00pm – 3:00pm
Location
Room 3301, Division of Humanities, The Hong Kong University of Science and Technology
Language
English and Mandarin
Organizers
Division of Humanities, The Hong Kong University of Science and Technology
Global China Center, The Hong Kong University of Science and Technology
HKUST Jockey Club Institute for Advanced Study
Co-organizers
Centre for Chinese Architecture and Urbanism, Faculty of Architecture, The University of Hong Kong
The University of Chicago Francis and Rose Yuen Campus
Hong Kong Palace Museum
Supporter
The Public Lecture Series is generously supported by the U.S. Consulate General Hong Kong and Macau.
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